2016 | "Curating Architecture: The Architecture of Estrangement. Alison Hugill in Conversation with Carson Chan," in On Curating, Issue 31. 47-51. |
"Cloud Formations: Climate Change and the Figuration of Community," in Climates: Architecture and the Planetary Imaginary, eds. Graham, James et al., Columbia Books + Lars Müller. 192-200. | |
Conditions of Living: Reflections on the 15th Venice Architecture Biennale, Frieze, June. | |
Atlantis, GA: The Home Depot, the Georgia Aquarium, and the Corporate Sublime, Art Papers, May/June. | |
PRODUCERS: DIS, Kaleidoscope Magazine, Issue 27 (Milan) | |
PRODUCERS: Nik Kosmas, Kaleidoscope Magazine, Issue 26 (Milan) | |
NEST: An Homage to the Greatest Interiors Magazine Ever, 032c, Issue 29 (Berlin) | |
2015 | Exhibiting Architecture: A Paradox? Eds. Carson Chan, Eeva-Liisa Pelkonen, David Andrew Tasman. Yale School of Architecture (Actar) |
Sim City: What's the Future of Berlin's Architecture?, Frieze d/e, Issue 21, August | |
The Art of Consumption: Renzo Piano's New Whitney Museum, Frieze, Issue 172, June | |
5 Trendy Ways to See the World, in Das Numen: Sensory Perception and Scientific Thinking, Berlin: Distanz. | |
Review - Keller Easterling: Extrastatecraft, Art Papers, Jan/Feb, p. 60-3 | |
Marrakech, Seoul, and Berlin: Barkow Leibinger in Context, in Barkow Leibinger: Spielraum, ed. Hal Foster, Hatje Cantz, p. 57-66 | |
2014 | Architecture Post Internet, 032c, 27th Issue (Berlin) p. 88-95 |
Learning from Venice (German), ArchPlus.net | |
Our Own Bubbles of Ignorance: Carson Chan and Joanna Warsza in Conversation, in Curating Research, eds. Paul O'Neill and Mick Wilson, OE | |
Mario Botta: Interview, PIN-UP, Issue 17, Fall/Winter, p. 76-87 | |
Learning from Venice, Venice Architecture Biennale 2014 review, Log 32, Winter 2014 (NY: Anyone Corp.) p. 46-55 | |
PRODUCERS: Carter Cleveland, Kaleidoscope Magazine, Issue 22 (Milan) | |
Partial Recall: A Brief Account of Aleksandra Domanović’s Monuments and the Aesthetics of the Near Obsolete, Avery Review, No.1 | |
Labour of Love: a review of Peter Zumthor's catalog raisonée, Frieze d/e, Issue 15, August | |
Model Citizens, in Modelling Time: The Permanent Collection 1925–2014, ed.Mari Lending and Mari Hvattumk, Torpedo. (Oslo) | |
PRODUCERS: Stephan Trüby, Kaleidoscope Magazine, Issue 21 (Milan) | |
Growers and Showers: Carson Chan on Eddie Peake, Texte zur Kunst, No. 94 June, p. 214-7 | |
Mono.kultur No.35: Ricardo Bofill: The Future of the Past, (Berlin: Mono.kultur) | |
Hong Kong and Marrakech: Geopolitics in Dialogue - Leung Chi Wo interview, SOUTH as a State of Mind, Spring 2014, Issue 4 (Athens) p. 50-3 | |
Re: balconism, Carroll/Fletcher, (London) and ArtPapers.org | |
Leung Chi Wo in conversation with Carson Chan, in So I don't really know sometimes if its because of culture (Asia Art Pacific, 2014) | |
PRODUCERS: Simon Castets, Kaleidoscope Magazine, Issue 20 (Milan) | |
2013 | Reconsidering Ungers: Brief Observations on a Legacy, Texte zur Kunst, No. 92 December, p. 64-77 |
Measure of an Exhibition: Space, Not Art, is the Curator's Primary Material, in Space Matters: Exploring Spatial Theory Today, ed. Lukas Feireiss, (Vienna: Ambra Verlag) | |
The City as Exhibition: Denver's Evolution through Beer Goggles, Draft Urbanism Exhibition Guide, Biennial of the Americas 2013, p. 4-12 | |
Hans Kollhoff: Interview, PIN-UP, Issue 14, Spring/Summer, p. 128-140 | |
Starting from Scratch: Aaron Moulton in Conversation with Carson Chan, Spike Art Quarterly, 36 (Vienna) p. 34-47 | |
Imparting Architecture, Not Design: Arno Brandlhuber in Conversation with Carson Chan, Nordic: Journal of Architecture No. 3 vol. 2, Winter 2012. p. 131-4 | |
2012 | Stop, Collaborate and Listen: Lawrence Halprin's RSVP Cycles, Spike Art Quarterly, 34 (Vienna) p. 68-77 |
PRODUCERS: Almine Rech, Kaleidoscope Magazine, Issue 17 (Milan) p. 122-8 | |
Game Changer: Lacaton & Vassal, 032c, 23rd Issue (Berlin) p. 130-141 | |
Stoned Island: Carlo Rivetti Q&A, 032c, 23rd Issue (Berlin) p. 238 | |
Express Yourself: with Christian Falsnaes, Spike Art Quarterly, Autumn 33 (Vienna) p. 86-97 | |
PRODUCERS: Ariane Beyn, Kaleidoscope Magazine, Issue 16 (Milan) | |
Higher Atlas: The Marrakech Biennale 4 in Context, Sternberg Press | |
Three Positions on the Art of Damien Hirst, C.Chan, Isobel Harbison and Laura McLean-Ferris, Kaleidoscope Web Special. | |
PRODUCERS: Elvira Dyangani Ose, Kaleidoscope Magazine, Issue 15 (Milan) | |
Interview: Jürgen Mayer H, PIN-UP, Issue 12, Spring/Summer, p. 50-63 | |
PRODUCERS: Gavin Brown, Kaleidoscope Magazine, Issue 14 (Milan) | |
Eva Grubinger: Decoy, Sternberg Press | |
2011 | PRODUCERS: Ute Meta Bauer, Kaleidoscope Magazine, Issue 13 (Milan) p. 168-175 |
The Chermayeff Century, 032c, 22nd Issue (Berlin) p. 53-69 | |
Contemporary Art, Society and Engagement, in Moderators of Change, ed. Andres Lepik, Hatje Cantz Verlag. p. 242-253 | |
What You Want is What You Get, in Monica Bonvicini: A Black Hole of Needs, Hopes and Ambitions, museum exhibition catalog, CAC Málaga. p. 91-101 | |
Wall to Wall: A Conversation with Eyal Weizman, Setup, Vol.1 Issue 1, Spring (Vancouver). p. 18-27 | |
On Carlo Mollino, photos by Juergen Teller, 032c, 21st Issue (Berlin) p. 198-239 | |
Dream Boys: Conversation between Olafur Eliasson and Kevin Kelly, production by Carson Chan, 032c, 21st Issue (Berlin) p. 106-115 | |
And the Seasons, They Go Round and Round, exhibition catalog, 0047, Oslo | |
Concrete (Arno Brandlhuber and Porn), PIN-UP, Issue 10, Spring/Summer, p. 32-5 | |
Measure of an Exhibition: Space, Not Art, is the Curator's Primary Material, Fillip, Issue No. 13, Spring 2011 (Vancouver: Fillip) p. 28-37 | |
Diary from Venice: Another Biennial, Log 21, Winter 2011 (NY: Anyone Corp.) p. 23-31 | |
2010 | The Territory of Versions: Oliver Laric, Kaleidoscope Magazine, Issue 9 (Milan) p. 90-5 |
Interview with David Simon (creator/writer of The Wire): on TV as Discourse, by Carson Chan et al., 032c, 20th Issue (Berlin) p.138-45 | |
Cum to Chandigarh, in Expedaction, a project by Arno Brandlhuber, Isa Melsheimer and Christopher Roth | |
Archetype: Interview with Conroy Nachtigall (Arc'teryx), 032c, 20th Issue (Berlin) p.82-95 | |
Exhibiting Architecture: Show, Don't Tell, Domus, September 10. read it in Englisn / Italian | |
The Flutter of Each Leaf: Apichatpong Weerasethakul, Kaleidoscope Magazine, Issue 8 (Milan) p. 60-7 | |
Epilogue, in The Nightmare of Participation, by Markus Miessen (Berlin: Sternberg Press) p. 271-9 | |
Introduction, co-author Fotini Lazaridou-Hatzigoga, catalog text, in Hops Hopsi - Hulda Rós Guðnadóttir, PROGRAM (Berlin) | |
Slumdog Visionaire: On the Work of Tobias Zielony, Kaleidoscope Magazine, Issue 7 (Milan) p. 56-63 | |
MVRDV: Berlin Voids, in Das ungebaute Berlin – Stadtkonzepte im 20. Jahrhundert, edited by Carsten Krohn. (Berlin: DOM Publishers) p. 296-8 | |
A Conversation with Sinta Werner, Mousse Magazine, online | |
Was ist Loos?, 032c, 19th Issue (Berlin) p.247 | |
From Rags to Rags: Interview with Rick Owens, 032c, 19th Issue (Berlin) p.142-153 | |
The Bandlhuber Paradox, 032c, 19th Issue (Berlin) p.125-9 | |
She who is so lovely is drinking in that loveliness I've drunk: A written correspondence with William T. Vollmann, by Carson Chan and Matthew Evans, 032c, 19th Issue (Berlin) p.62-7 | |
Spectre (on René Habermacher's fashion photography), catalog text, in Hyères 2010 Festival International de Mode et de Photographie / Villa Noailles. (Paris: Archibooks) p.166-171 | |
Future Perfect Continuous, catalog text, in Dubai Düsseldorf, Kunstverein für die Rheinland und Westfalen: 2010. p.42-9 (in English and German) read | |
The Sundry Marginalia, Kaleidoscope blog, http://chan.thekaleidoscope.eu/ | |
2009 | Neverland: Interview with Thomas Demand, Udo Kittlemann and Adam Caruso, 032c, 18th Issue 'Thomas Demand' (Berlin) p.67-73 |
Damir Doma, 032c, 18th Issue 'Thomas Demand' (Berlin) p.256 | |
Meeting the Maker, Kaleidoscope Magaine, Issue 2 (Milan) p.142-5 | |
A Starry Night; Under the Open Sky (Paolo Chiasera), catalog text, in Unter Freiem Himmel, MARTa Herford (Bielefeld: Kerber) | |
Evol, catalog text (Berlin: Wilde Galerie) read | |
Boros Bunker: Make Art Not War, V Man, February (New York) | |
Barkow Leibinger: Atlas of Fabrication, 032c, 17th Issue 'Mike Mills' (Berlin) | |
6 Galleries at Miami Art Basel: Klemm's, Tokion, February (New York: Downtown Media Group) p.44 | |
2008 | Mono.kultur No.18: MVRDV: On Statics and Statistics, (Berlin: Mono.kultur) read intro |
Nathan Peter: eminent domain (New Life Berlin), catalog text, Wooloo (Berlin) | |
Greg Lynn: Curve Your Enthusiasm, 032c, 15th Issue ‘Haus der Kunst’ (Berlin) | |
Modern Nomads: Homecoming, WestEast Magazine, Issue 25, Summer 2008 (Hong Kong) p.108-111 | |
Go East to Go West: the subversive politics of building regulations, Velvet Magazine, January 2008 (London/Athens) | |
2007 | Utopia: Neville Mars, WestEast Magazine, Issue 23, Winter 2007/2008 (Hong Kong) |
Dream Machine: David Woodard, WestEast Magazine, Issue 23, Winter 2007/2008 (Hong Kong) | |
It’s a bird, it’s a plane: musings on Mike Kelley’s Kandor, co-author F. Lazaridou-Hatzigoga, Velvet Magazine, December 2007 (London/Athens) p.32-33 | |
Bow-Wow Berlin, 032c, 14th Issue ‘Cecil Balmond’, Winter 2007 (Berlin) p.234-237 | |
Einar Thorsteinn, 032c, 13th Issue ‘Energy Experimentation’, Summer 2007 (Berlin) p.80-83 | |
Ryan McLaughlin, NYArts Magazine, January-February 2007 (New York) p.44-45 | |
2006 | Takehito Koganezawa: Introduction, Sleek Magazine, November 2006 (Berlin) p.82-87 |